DESIGN.

These are my projects from my time at Savannah College of Art and Design, showcasing my use of Revit, AutoCad, hand and computer rendering, and design and concept development.

Learn from the art of history on display.

  • The Entrance.

    Classrooms resemble “greenhouses of the mind”, and the library reading space is an open space of public tables to invite anyone to find a workspace surrounded by inspiration.

  • The Exhibit.

    The looking table exhibition space displays a rotating collection of artwork to be flipped through. Around the corner is the exhibition space dedicated to the extensive collection of Don Bluth that have taken years to organize.

  • The Workspace.

    On the second floor, both private offices and a central collaborative worktable give archivists the choice of how they work. The worktable features a window to the looking table directly below, as the curiosity of the public mirrors the curiosity of the archivists.

  • The Archives.

    This third floor is specifically for archival work not on display and holds the most rare and fragile materials. There is a cold storage room, a room to digitize materials into the online archival library, and elevator access.

SCAD Special Collections

STUDIO III WINTER 2024

The purpose of the Archives and Special Collections Department is to preserve rare, fragile, and old materials within a secure environment, while also providing access to the SCAD community and to the general public.

This is a three-story multipurpose space where art is safely preserved, archivists have a dedicated workspace, and people have the chance to access a repository of thoughts bound, dated, and catalogued.

The design’s grandeur gives way to warmth and tranquility that characterize a space that invites wonder: a grand lobby, an exhibition space built for community education and inquiry, and reading nooks tucked away like secret alcoves.

MISTRAU

STUDIO IV SPRING 2024

This is a collaborative project from Studio IV. The class as a whole created the brand, Mistrau, and within that, five groups each designed a pop up experience taking place in the Pierre Cardin Quarry in Lacoste, France. The groups were as follows: Haute Couture, Ready-to-wear, Leather, Accessories, and Beauty & Fragrance.

This luxury leather pop-up emphasizes humanity’s imprint on the Provencal area, shown through worn stone, ancient villages, and centuries of culture. This balance of resilience and fluidity mirrors the duality of Provence’s elemental forces, rooting itself in the land and its rich history. The concept of Veiled Armour is visually expressed through texture, translucency and the rhythm of fine, flowing details contrasting against the rough stone.

SHOWN ABOVE IS THE LEATHER BAG CUSTOMIZATION BAR & THE MAIN PRODUCT DISPLAYS

SHOWN ABOVE IS THE GIFT WRAP AND EXIT EXPERIENCE

INTENTIONAL COLOR

My client finds herself inspired most by films, and so I took my concept inspiration from films that use color in specific ways to tell story, like the work of Wes Anderson, Tommy (1975), and The Holy Mountain (1973), which are two of the client’s favorite films.

STUDIO I SPRING 2023

  • Foyer and Hallway

  • Kitchen

  • Formal Dining

  • Living Room

  • Guest Space

  • Guest Bathroom

  • Office

  • Primary Bedroom

  • Primary Bathroom

Studio I was our introduction to the process of designing an interior design project from start to finish. We focused on hand-rendering, concept development, and schematic design for a small residential project with our client chosen for us. We did not use any BIM software in this class.